Four Movements in Time: An Experience in Synaesthesia, 7pm - March 28th, Chicago

A week from Saturday we are aiming to confuse the senses and hijack your perception of time through an experimental fusion of art, music, poetry, talk and dance. I hope you will consider joining us. Tickets are available here: Four Movements in Time

Here is the the Program, Music, and Performers:

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Four Movements in Time: Syncopated sharing of Poetry, Dance, Music, and Talk centered around the non-linear nature of experiential time

Why is time accelerating? Why did summers as children seem so much longer than they do as adults? Is there any way to design our lives to reverse these trends and instead slow and expand time?

Through a syncopated intersection of art, music, poetry, dance, and a TED talk on the cognitive biases that result in the non-linear processing of time, Ani Gogova (concert pianist), Tess Collins (modern dancer), and John K. Coyle (TED speaker, lyricist) will touch the audience’s senses to demonstrate the three rules that govern "experiential time" and share ways to slow the ticking of the clock to bring back summers as expansive as those when we were children so we can "really live" longer. Art in the room by Karolina Kowalczyk reflects this nostalgia and loss of childhood.

The PerformersJohn_Coyle - no logo

John K. Coyle (talk/poetry) is an horologist, Stanford d.school grad, SVP and Professor of Innovation, Olympic Silver Medalist, NBC commentator/analyst, writer and speaker. As a TEDx presenter and founder of The Art of Really Living movement, John has received rave reviews for his presentations.  His passions lie in the areas of innovation, strengths development, and an obsession with the cognitive bias on how we as humans experience time.

Screen Shot 2015-03-17 at 10.40.50 PMAni Gogova (piano) is an award-winning Bulgarian-American pianist who appears in over 40 performances each season throughout Europe and North America, including broadcasts on NPR, WBEZ, TEDx Talks, and WFMT Chicago. Her work has gathered critical acclaim around the globe and been selected as a top recommendation by Time Out Chicago Magazine and the Chicago Tribune. Gogova holds a Doctor of Musical Arts degree from the University of Michigan, Ann Arbor, and she served as a Professor at the world-renowned Music Conservatory of the Chicago College of Performing Arts, Roosevelt University.

Tess ColliScreen Shot 2015-03-17 at 10.32.04 PMns (dance) graduated from Columbia with a degree in dance, then traveled overseas to further study and receive her yoga teacher training. She's continually creating and performing movement-based work in collaboration with other artists, and as an instructor of various styles. Her curiosity and playfulness on the mind/body/spirit continuum form the base of her movement exploration in choreographic choices and teaching.

karolina2.jptKarolina Kowalczyk (art) was born in Raba Wyzna, Poland and has lived in Chicago for the past 20 years. She received a BFA in Illustration from the American Academy of Art and currently works at The Art Institute of Chicago. Her meticulous way of working with paper cut-outs is inspired by her childhood love of stickers and wycinanki (Polish paper art).  The pieces are created from many independently drawn elements on paper that are carefully arranged and built up in layers.

Her work is inspired by nostalgia, trauma, loss and childhood and has been featured in shows in Chicago, Michigan and Minnesota. Sample art:

Shame Revisited Close Up 3

Growing Down

Nostalgia One

Shame Revisited

Do Your Strengths Have a Color? Synaesthesia and Talents

Synaesthesia is one of my new favorite words and concepts. As Wickipedia defines it, synaesthesia (or synesthesia) "is a neurological phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway. People who report such experiences are known as synesthetes."

Synesthetes often experience this phenomenon in the course of every day life - vowels, for example for many synesthetes have colors where as consonants don't. But I'm particularly interested in the intersection of synaethesia and strengths and talents. What if your strengths and areas of talent have a color or a sound, or both?

For years I've been describing my feelings when in a state of "flow" or deeply immersed in an area of strength as having a color - often a vibrant blue or yellow or orange and conversely moments of weakness as colorless, black or red. What I never talked about and never knew how to articulate is that in these "photisms" or "chromesthesia" episodes I actually SAW these colors, tasted and heard these colors. In fact, my personal form of synaethesia involves color and sound - a hum, or thrumming permeates my brain and I see what I'm doing tinged with vibrant colors of orange, yellow and violet blue that has a fractal nature about it. Examples:

"The pixels of light and darkness captured in the mind’s eye are filled with the pallet of color of the results – hence the memories of winning somehow pull from the yellows, blues and golds, success and color implying a relatively easier effort, while the losses are inevitably painted with the charcoals of those chiaroscuro efforts – blackened, brutish, pain and disappointment closely linked."

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"I choose to repaint this race differently. And in so doing what I did accomplish was a unique mastery of the instrument of my body. For over two hours, I played it like the first violinist – drawing out of it with every lash of the straight bow every possible note, every emotion, every tremble of resonance the space of ribs and air and bones was capable of producing."

Conversely when I'm suffering or pursuing a weakness, color and sound disappears... an example:

"The halls of pain echo for an experienced athlete. The suffering is nothing and yet is everything. The pain is white. It is black. It lacks color or sibilant sound – just reverberations reflecting off the porcelain tiles of the stony discipline of the psyche. But blood, glittering red-black blood, pulses through hidden rivulets in the gutters of the mind."

As a kid when I would ride my bike - whenever there was a sprint or an acceleration I would hum inside my head. In the early days it was sort of a motorcycle sound and I assumed it was an artifact not dissimilar to putting a playing card in the spokes to sound like a motor, but over time I just realized I did the same thing when skating or when painting or when working certain subjects in school. Now I get it when I'm writing, riding, racing or traveling.

So an oft repeated question is, "how do I know if something I'm doing is a strength?" "How do I know if something I'm doing is a weakness, or just a skills gap?"

Perhaps one way to know might to be to simply ask, "what color is it? what does it sound like?"

I close every speech on finding your strengths with the following advice: When seeking your strengths, "pay attention to your internal hum: you'll know it when you see it, feel it, hear it."

PS: this whole post was a medium blue, tinged with some yellow.